Extinction Level Event cover art

Extinction Level Event

No more compromising, massive mix ready drums and human feel.

4.9 · 23 reviews
Why ELE

Built for rock and metal. Human feel.

Extinction Level Event mixer view
Full Bleed

Mic spill, like a real live room.

Hit the snare and a trace of it lands in the kick mic, the overheads and the toms, exactly what happens in a studio. Full Bleed recreates that cross-talk so every hit interacts with the whole kit. Want it tight and modern instead? Dial the bleed back or switch it off.

  • Bleed level per mic channel
  • Extensive velocity layers and round-robin samples
  • From raw and roomy to clinically precise
Extinction Level Event mastering view
Built-in mixer

Every channel, one window.

No stacking plugins across a dozen tracks. Each channel has two EQ types, saturation, 1176-style compression, a transient designer, ADSR controls and two reverb sends, non-linear or plate. The master section adds a Pultec-style EQ, SSL-style bus compression with a parallel mix knob, tape saturation and reverb controls.

  • Per-channel EQ, saturation, compression, transients, ADSR
  • Two reverb sends: non-linear or plate
  • Master: Pultec-style EQ, SSL-style bus comp, tape
Extinction Level Event settings view
Workflow

Grooves in. Song out.

The groove player is loaded with MIDI performances played by real drummers, find the feel, drag it in, done. Remap any note in seconds for a controller or e-kit, route ELE's outputs anywhere in your DAW, and load your own one-shots straight into the kit.

  • MIDI grooves played by real drummers
  • Remap notes in seconds; works with electronic kits
  • Multi-output routing and custom one-shots
Under the hood

Key features

Full Bleed

Real mic spill across every channel for an organic, live-drum feel. Turn it down for a tighter, modern sound.

Mix-ready presets

Polished, heavy-hitting drum mixes right out of the gate, from old-school grit to modern punch.

Complete built-in mixer

EQ, saturation, 1176-style compression, transient shaping and reverbs per channel, plus a master section.

Human dynamics

Extensive velocity layers and round-robin samples. No machine-gun repetition.

MIDI groove player

Grooves performed by real drummers, ready to drop into your song.

Make it yours

Load your own one-shots, remap MIDI in seconds, route outputs freely. Works with electronic drum kits.

From producers

Reviews

4.9 · 23 reviews
  • 5 stars: 21 (91%)
  • 4 stars: 2 (9%)
  • 3 stars: 0 (0%)
  • 2 stars: 0 (0%)
  • 1 star: 0 (0%)
M
Markus/Clino

I got into ELE in the early days before the big update and it's been my go-to drum library for a while now.

Lots of pieces and various options to play around with, although it's made with more hard rock and metal in mind it's more than capable of handling anything really as the raw sounds are pretty raw and so make a perfect starting point for tone-shaping for what you need for your song.

The interface is easy enough to use and if you've used any other Kontakt-based drum libraries you'll feel fairly at home and comfortable using it but if you're starting out it could seem a little daunting at first but it is pretty intuitive once you get your head around it.

C
Crush

I'm still learning to use it, but so far I really like it

M
Mozatronic

Full sound. Pretty happy when I get a plugin that is good. Would recommend

E
Evan P.

ELE has allowed me to create a foundation that is solid and appealing to the ear. Sounds like the real deal, which makes recording in a home studio easier than ever. I know my tracks will have a solid sound behind them. Thank you Glenn and Team!

V
Vinko P.

Exceeded my expectations. This is it!

D
Dennis G.

Amazing sound, very easy to use. Simplified my recording sessions. Excellent product.

S
Scarrier

easy to map e-kit. Menu is easy to navigate. Was able to use with Logic Pro right away. Sounds are really good, nice and solid. Looking forward to making some music.

C
Cole M.

An excellent selection of drums/cymbals, great sounding articulations, and all around great quality sound. This absolutely competes with the other big drum sample names out there!

D
DevilsReject

HOLY SHIT!!! You gotta hear this. You won't believe it.

D
Dwayne M.

Great and realistic-sounding drum library....
Very easy to tweak the sound that you want; but I think that the stock presets sound amazing.
There are a generous amount of MIDI grooves to build songs with -that will keep you inspired.
The MIDI mapping is super easy to change if you wish to bring in some 3rd party MIDI packs to your project. I really love working with The Extinction Level Event drum plug-in. 10 out of 10!!!!!

K
K4RN4GE911

Honestly, if you want the best collection of drum samples to cut through the mix without shilling out a crapton of cash, this will definitely do the job.

I
Indii C.

It just sounds so real and it feels so real to mix. So intuitive. I love it to no end.

B
Brandon W.

It sounds and options in this are amazing. I’m most impressed and extremely grateful that there’s bit mapping for Guitar Pro! Finally! I don’t have to do it myself.

C
Cristian M.

Great control over the drum sound, bleed control is a huge plus, amazing sound out of the box.

R
Ryan Gero

It sounds super great out of the box. No need to fuck around with anything to make it work. They weren't bullshitting when they said mix ready drums lmao.

d
dweddle

The manual is lacking. I shouldn't have to search for third party info/videos to get info on things like how to rout multiple outputs. Spectres videos are all about you selling it, not how I use it. A video tutorial actually using it in a mix would be nice.
I know I can change it but why are the factory toms assigned/mapped backwards to the keyboard, high tom is low note and low tom is higher note?

W
Wolfram Wikeley

I had critical mass of drum VSTs with SSD5, Tony Coleman, EW Pro Drummer, etc., but when I heard about Glenn's personal crisis I felt buying a plugin was a gesture at least. And it is GREAT. Only scratched the surface thus far but remapping is easy and sounds are phenomenal.

C
Ciaran

This is pretty much the only midi drum programme that I use now. Yep, you'll never beat live drum recordings, that's a fact but if you want the best in midi drums then this is probably the most realistic option. The presets are great out of the box but there's so much scope here to tailor your own sound that the possibilites are almost endless. Easy to set up, easy to use and easy to get going right away with ELE drums, absolutely no complaints whosoever on this one. Also includes mappings for Getgood Drums, Standard midi mapping, EZ Drummer, Superior Drummer, two Roland kits and Addictive Drums too. Full configurable velocities, drum tunings, bleed settings and effects there really isn't anything lacking here. Bargain as far as I'm concerned. Bravo Glenn, you've really come up with a great product here.

D
Danny D.

One of the best kits I own. I'm not a drum programmer, I use these through my Roland V Drums. Everything has been great so far except for the hihat. I haven't found the proper settings for it to work right. I'm sure it's something simple on my end. Other than that, my only other pet peeve is, the one ride cymbal has a long decay that turns into a noise artifact of sorts. It almost sound like a hum that was driving me crazy at first because I didn't know where it was coming from! Those two little things aside, I couldn't be happier with my purchase.

T
Thomas Campbell

Great drums, better and more natural feeling than other alternatives.

C
Christian N.

Absolutely love it. Totally flexibility to eq and compress and very realistic 👌

j
jesse m.

Blows the competition out of the water. Seriously massive sound. Love it.

E
Edward H.

Was kinda of a pain to setup on Linux but after going for the legacy installer of native access worked wonders with yabridge on my install of reaper great plugin

Extinction Level Event cover art
Watch

Extinction Level Event in action

The kit

Kicks

  • Sonor Prolite Maple 22″×17.5″ and 20″×17.5″
  • Tama Birch Bubinga 22″×18″

Snares

  • Sonor Protean Birch 14″×5.25″
  • Pearl Free Floating Phosphor Bronze 14″×6.5″ (high and low tuning)
  • Ludwig Supraphonic 14″×5″
  • Ludwig Black Beauty 6.5″×14″
  • Pearl Music City Custom Reference Pure 6.5″×14″
  • PDP Concept Select Bell Bronze 6.5″×14″

Toms

  • Sonor Prolite Maple 8″, 10″, 12″, 14″, 16″ (clear and coated heads)
  • Tama Birch Bubinga 8″, 10″, 12″, 14″, 16″

Hi-hats

  • Zildjian 14″ K
  • Sabian 13″ AAX Stage Aux

Rides

  • Zildjian 20″ K Custom Hybrid
  • Zildjian 21″ Z Custom Megabell

Crashes

  • Zildjian 18″ K Medium Thin (left)
  • Zildjian 18″ A Custom (right)
  • Zildjian 19″ K Dark

FX

  • Splashes: Zildjian 8″ and 10″ A Custom
  • Stacks: Sabian Max Medium, Zildjian Custom
  • Chinas: Zildjian 16″ Oriental, Zildjian 19″ K China
Extinction Level Event
Hear Extinction Level Event
Every demo uses stock ELE presets, across a range of genres
0:00
Compatibility

System requirements

Hardware
CPUApple M1, Intel Core i5, AMD Ryzen or equivalent
RAM6 GB or more recommended
Storage15 GB for Kontakt Player and the ELE Master Kit
InternetRequired once, for activation
GraphicsOpenGL 2.1 or higher
Platforms
macOS Mac OS X 10.14 and above (64-bit only)Formats Stand-alone, VST, AU, AAXApple Silicon Native supportHost Kontakt Player (included) or Kontakt 8
Windows Windows 7 and above (64-bit only)Formats Stand-alone, VST, AAXHost Kontakt Player (included) or Kontakt 8
Straight from the comments

What people are saying

As an experienced sound engineer, I closed my eyes, and these drums do sound fucking good. Real good. Acoustic.
YouTube viewer
You “plug” all your plugins but don’t often mention ELE Drums, you should!

The ELE Drums have got to be the best sounding drum plugin available. I can’t wait for the update. I absolutely adore them and everyone should know about them.
@TheSinjabon YouTube
One of the best drum plugins for sure
YouTube viewer
Sounds freaking amazing
YouTube viewer
I am using ELE since they released it for all the new songs of my band. This is by far the best sounding drums VST I have ever worked with.
YouTube viewer
Sounds great, Glenn knocked this outta the park...the bleed really makes it.
YouTube viewer
Glenn did an amazing job and since you said you were doing this review, I have been on pins and needles, Spectre Digital is the real deal, I love ELE, and I am in need, they sound better than any other drum program, Glenn solved this issue in grand fashion!
YouTube viewer
Thank you for all your hard work, it is amazing how ELE destroys the competition, I have a small set of Alesis Nitro and haven't used them as much as I would like, the sounds threw me off, I looked at other programs and nothing comes even remotely close to Extinction Level Event, I cannot imagine how long it must have taken to compile, admittedly, I take pride in knowing Glenn is Canadian and helping everyone be better and have access to all the tools needed. Cheers!
YouTube viewer
Damn, this rivals the fuck out if the GGD OKW metal
@godsreclamation2539on YouTube
If you're still not using ELE, get it now! I dabble in metal for fun, but I write darkwave/goth stuff. The drums, especially the roomy preset, are phenomenal. They've replaced almost every drum groove I've written with exception to those that are meant to be electronic or sound like direct samples from a machine. Hell, just use them under your current grooves and samples at the very least and you will hear a very satisfying difference. If you want the kit tracked under separate channels, Glenn has a tutorial for Reaper. I've done it in FL Studio and made a preset for it. It's excellent! Checkout the VST and believe me when I say it has been such an enhancement to the overall flow of my mixes. Oh, Singularity is cool too. And so is Element. Try Element on your drums. It's gnarly!
@G-Nationon YouTube
I promised myself many years ago that I wouldn't spend any more money on music plugins and gear, because I had all I needed to make great sounding stuff.

I finally caved because of this spring sale you have, specifically for singularity and extinction level event.

And fuck me am I glad I did, this stuff sounds AMAZING. Especially given the guide you brought out on making sure to keep the velocities in the low-mid range. My old sample packs sounded best with the kick and snare at 127 (except for fills) and with the cymbals and toms around 80-100, but ELE sounds so alive and vibrant and allows for some real dynamics. I love it.
@heresjonny666on YouTube
Kontakt Player library

Things to know

License & activation

Your license key appears in your account right after purchase. Extinction Level Event is delivered and activated through Native Instruments’ Native Access: add the key there and ELE installs into Kontakt Player. Kontakt Player is included, so you don’t need the full version of Kontakt. Activation needs an internet connection once.

Installation

Install Native Access from Native Instruments (Windows, Intel Mac or Apple Silicon), log in, press Add Serial and paste your key. Extinction Level Event - Master Kit appears in your library, press Install and it shows up in your Kontakt tab. Allow about 15 GB of disk space for Kontakt Player and the Master Kit.

Moving up from ELE 1.0? Uninstall it in Native Access, refresh, then install ELE 2.0. Note that 2.0 is not backward compatible: projects built on ELE 1 need their drums redone.

Refunds

Extinction Level Event is a Kontakt-based library and is final sale: no refunds or exchanges after purchase. If a download is corrupted or a link stops working, we’ll re-issue it at no charge. Anything else, installation, files, questions, email support@spectredigital.com and we’ll get you sorted.

System requirements

Hardware: Apple M1, Intel Core i5, AMD Ryzen or equivalent; 6 GB of RAM or more recommended; 15 GB of storage for Kontakt Player and the Master Kit; an internet connection for one-time activation; a graphics card that supports OpenGL 2.1 or higher.

Software: Mac OS X 10.14 and above (64-bit only), stand-alone, VST, AU, AAX. Windows 7 and above (64-bit only), stand-alone, VST, AAX. Kontakt Player (included) or Kontakt 8. Native Apple Silicon support.

Is there a demo version I can try?

No. Native Instruments and the Kontakt platform don’t currently allow us to offer a demo of Extinction Level Event.

Are updates free?

Yes. Whenever you buy ELE, every update to the latest version is free, from the smallest bug fix to the biggest feature addition.

I’m not great at programming drums. How do I get the most out of ELE?

Start with the built-in groove player: the included MIDI grooves were played by real drummers, so the feel is already there, find the one that fits and drop it in. Want more? Our MIDI groove packs come with mappings optimized for ELE, and Spectre Academy runs drum programming courses that go deep on getting the best possible programmed drums.

Do I need the full version of Kontakt?

No. ELE runs in the free Kontakt Player with no loss of functionality, download it from within Native Access when you install ELE. It also runs in Kontakt 8.

Will this work in my DAW?

Any DAW that hosts Kontakt Player. If you can load a VST, VST3, AU or AAX plugin, you can run Extinction Level Event.

What are TCI files?

TCI files are for Steven Slate Trigger 2. Your purchase includes TCIs of the ELE shells, so you can replace or augment an existing drum performance with ELE’s sound and accurate dynamics. They’re waiting in your account downloads after purchase. Trigger 2 is required to use them.

Current version

v2.1.4LatestJul 10, 2025
  • Fixed: K Dark 19" cymbal now plays back correctly in the SDC overheads.
  • Fixed: Tama Tom 1 room "RM2" samples are now panned correctly.
  • Improved: Massively reduced white noise sometimes present in sample playback.
  • Improved: Round robin samples for toms are more consistent.
  • Improved: Pitch knob is now linked for all kick channels on the mixer.
  • Improved: Pitch knob is now linked for all snare channels on the mixer.
  • Improved: MIDI Mapping selection now saves its state.
  • Improved: Updated Toontrack MIDI mappings.
v2.1.3Mar 21, 2025
  • Fixed: Rare case causing distortion on Floor Tom 2.
  • Fixed: Tama kick drum outputs via the SDC overheads as intended.
  • Fixed: Tama Rack Tom 1 overhead send fader now works as intended.
  • Fixed: Pearl Music City snare (mid tuning) overhead send fader now works as intended.
  • Fixed: Channel Outputs are now persistent regardless of snapshot changes.
  • Improved: HiHat pedal chick should respond better with e-kits.
  • Improved: HiHat CC articulations response feels smoother now.
v2.1.2Aug 30, 2024
  • Fixed: Groove Player now stops playing when playback is running in the DAW.
  • Fixed: All chokes have been fixed for all articulations.
  • Fixed: HiHat not playing correctly in certain scenarios.
  • Fixed: Missing samples when changing snapshots.
  • Fixed: MIDI Mapping now works as intended.
  • Improved: Playback and CPU usage reduced.
  • Improved: Playing chokes on e-kits.
  • Improved: Higher maximum voice count.
v2.1.1Jun 13, 2024
  • Fixed: Groove Player bug fixed.
  • Fixed: Various minor fixes.
  • Improved: CPU usage reduced.
  • Improved: MIDI assignments improved.